Brighton Photo Fringe and Phoenix Brighton are pleased to present On the surface of images, an exhibition by Jinkyun Ahn. This exhibition was selected from over 100 submissions to the Brighton Photo Fringe OPEN 2012 by Clare Grafik, Susanna Brown and Oliver Chanarin. On the surface of images is Ah ...

IS THAT IT is a Tri-pod group show of work in progress by nine photographers/IS THAT IT is about getting work out there/IS THAT IT is exploring and engaging with the audience/IS THAT IT is about having a deadline/IS THAT IT is stopping the process before it ends/IS THAT IT wants open conversation/IS ...

An opportunity to exhibit at the Phoenix Brighton with the Photocopy Club. The idea is to get photography off the internet and get printed matter back into the hands of the public. Join in the Opening exhibition, Self Portraits and Research Journals and the Closing exhibition. Or just come down to t ...

After 3 international calls for photobooks, and 4 exhibitions showcasing over 180 books, we'll be at Fringe Focus during the festival where you can access the complete archive of photobooks that have been donated over the last year. A great opportunity to see over 250 photobooks, punctuated by a se ...

A collaborative project exploring the use of words to capture unphotographed images "Opportunities missed. Simple failures. Occasions when I wished I'd taken the picture, or not forgotten the camera, or had been brave enough to click the shutter." (Michael David Murphy) Come be inspired and scr ...

Provoked by the Welfare Reform Bill 2010-2012, a photo documentary into life after a sub-arachnoid brain haemorrahage. The project follows the artist's Father and questions a possible return to work after 16 years on incapacity benefit.

Border Work focuses on a bus station in Nogales, a town on the Mexico border that receives thousands of people who have been deported from the USA. The work explores this space of permanent transience. Everyone is waiting to leave but nothing happens quickly here.

Origins of Encounter presents the work of Joan Alexander, Luke A.R. Hamblin and Louise Maher. Coming from three distinct historical perspectives and utilizing diverse modes of production & presentation they each examine notions of the encounter in relation to place, narrative and the photographic.

A screening and talk about her practice, Helen often looks to how the individual is represented within collective experience and how our political and social structural frameworks shape this experience. Helen is invested in giving voice to some of those experiences, perhaps voices that have been mar ...